…is what umadoshi wanted to know about, so I’m gonna come at it from both sides.
As a reader: my favorite thing is that there’s such a low barrier to entry. I get to read comics by people who would never be accepted by publishers because the content is too niche (which used to include “too gay”, although fortunately that’s changing). Or because the creator doesn’t know the right people, and networking takes stamina/skills, which don’t automatically come with being a good artist.
Or even because the comic is genuinely Not That Great. Sometimes those are fun anyway! And having them online gives the artist the motivation to keep working, and then you can watch them get great in realtime.
The main tradeoff is that the flake-out rate is high, but you’re not immune from that in any medium. (“George R.R. Martin, please write and write faster…”)
And on balance it doesn’t get me down. Definitely not enough to stop me from checking out new strips. I’m just impressed at how many people are dedicated enough to keep them up at all for no money, or for “some money, but it sure doesn’t pay the rent.” (*cough*here is a Patreon*cough*)
As a creator: going back to this line I loved from the ComicLab podcast, “Cartooning has this wonderful ability to let you be a super-performative public isolationist.”
So, listen, sometimes I have your standard “being a famous public performer” daydreams. Like, a song will come up on shuffle and I’ll flash to the idea of me singing it on stage, got the perfect dance routine to go with, the crowd is Swept Up with Amazement and Awe and so on.
But the idea of doing anything like that in reality is horrifying. Crashes up against the problems that I’m not a good singer and don’t have any dance training and hate addressing crowds and get generally nervous about doing things live.
So I make comics — and people still follow along, get engaged, post theories and compliments and so on — but I get to sit behind it, so the art is what people are interacting with, and I never have to get directly involved unless I want to.
You don’t even need to talk to anyone to get started! Sure, there are collaborations and anthologies and application-based collectives, there are specific levels that you need to make connections to enter. But in general? Free webcomic-centric hosting platforms have existed for my entire Internet life. Fill out the automated signup form and you can just go.