Feels like it’s been a long time since I posted about some TV that was actually good, instead of so-bad-it’s-fun (looking at you, Scandal). Which is weird, since I’ve watched a bunch of it.
Have some recs.
Adventures in diplomacy with a Secretary of State and her artist/CIA husband.
If any current show is the spiritual successor to The West Wing, it’s this one. Elizabeth McCord is devastatingly smart and has vast depths of experience, all of which shines through in the writing. The political situations are complex and layered; it doesn’t get too fluffy about ethics and principles being easy, but it also doesn’t get too grimdark about good people being inevitably destroyed by Harsh Reality.
Her husband’s great too — also smart with a background in a lot of fields. My favorite parts are when his knowledge of art history is legitimately what saves the day.
And it’s a textbook example of how you don’t have to shoehorn dishonesty or unsupportiveness or bad communication into a relationship to make it interesting. These characters’ lives are so full of international conflict, the choices they make every day at work so consequential, that they need a healthy and well-adjusted marriage to get through it all. They lean on each other in these complicated and substantive ways that are great to watch.
The show does pull the wishy-washy cheat of “the president is a Republican, but a ‘moderate’ Republican, which means we don’t actually see him take any positions in common with the current Republican party.” On the plus side, it uses real countries in its diplomatic intrigue plots, China and the Philippines and Kyrgyzstan (all with their own fictional diplomats and heads of state) instead of Qumar and San Lorenzo.
I’m in the middle of season 3 right now (so if anything terrible happens later on, don’t tell me).
Rizzoli and Isles
Cop drama, starring a detective and her BFF medical examiner. The one thing I knew going in was that they’re very shippable.
Good solid background TV, like Bones or Law & Order. The plots were fun to watch, if forgettable in the aftermath. It takes place in Boston, so I got a lot of “hey, I know that place/route/reference!” moments.
There’s a bit of ship-teasing in early seasons — contrived “we must pretend to be lesbians” moments, that sort of thing. It mostly fades away later. The canon romantic tension is all focused on unconvincing m/f — I don’t even remember any background same-sex couples — although I’m sure there were one or two involved in the case-of-the-week. At least it doesn’t eat the show.
And the series finale does end with our heroines going to Paris together for a month. As fanservice goes, they could’ve done a lot worse.
Parody cop show. Created by Steve and Nancy Carell, and the series is saturated with their kind of humor. New joke every other line. It’s great.
The directing and staging and camera work and everything, parody-wise, is spot-on. I was alternating episodes of this with Rizzoli and Isles for a while, and sometimes I would be in the middle of a scene waiting for the next joke and realize, oh wait, this is the serious one.
I think most of the humor would still translate even if you’d never watched a police procedural. But if you do watch them, it’s a total must-see.
Also technically a cop show. The Devil got sick of working in Hell, so he did the logical thing and moved to LA, where he ends up using his evil-punishing skills to solve crimes. As you do.
Okay, you know the character type of the guy who’s really self-centered and socially clueless, often to the point of being mean or careless? And you’re supposed to think it’s forgivable — justified, even — because of how brilliant and talented he is, but mostly it’s annoying?
Lucifer takes that archetype and exaggerates it so far over-the-top that now it’s just funny. “It makes perfect sense now! This was all about me! Thank you, detective!” “Lucifer, wait, that’s not what I–” There are scenes where he gets run emotional circles around by eight-year-olds. It’s lovely.
He has a therapist, which is an inherently entertaining idea just to start with. For a while she was going along with the “metaphor” of his family drama being about angels and demons…then she complained she couldn’t keep track of it anymore, so Lucifer busted out some demonic proof, and she had this extremely understandable BSOD. (She got better.)
There’s romantic tension between him and his detective partner, which is not the unconvincing type of m/f, although Lucifer still hasn’t shown her the literal-Devil-proof, and at this point the reasons why are starting to get strained and contrived. As a character in her own right, she’s great. She has a daughter who’s also great, a perfect kid mix of oblivious and savvy. One of Lucifer’s friends is a demon who makes a delightfully weird bond with the kid — they go trick-or-treating together!
And all the mythology is very cool. Obviously the foundation is pop-culture Christianity with a touch of Paradise Lost, and it adds other layers, like the season-long arc with Lucifer’s mom: a creation-goddess and God’s ex-wife.
I’m mostly caught-up with currently-aired episodes, and looking forward to seeing where it goes next. (I haven’t read any of the comics it was based on. So, again — no spoilers.)